Headed North Design Studio emblem — arc, mountain triangle and horizon bars HEADED NORTH design studio
Legends Bistro by day, the propeller mounted on the painted mural wall beneath a skylit steel roof
Restaurant · Bhubaneswar, Odisha · Concept design

Legends Bistro

Type
Restaurant & bar
Location
Bhubaneswar, Odisha
Size
2,500 sq ft · 95 covers
Status
Concept — unbuilt
Layout
Furniture layout plan showing kitchen, bar, booth seating, banquettes, stage and landscape strip

Ninety-five covers on 2,500 sq ft: kitchen at the head, bar beneath it, booths in two rows of eight, the stage at +200 in the far corner.

Exploded axonometric on the studio yellow, from the existing shell up through the seating, lighting, trusses and roof

The intervention pulled apart, and it is mostly roof: seating dropped in, lighting frames, trusses clad in wooden laminate, then galvanised iron alternating with glass.

Material board: navy and blush parquet, brass strip, white marble, quilted terracotta tile and a painted door

The material board. Navy and blush parquet, brass, white marble and quilted terracotta — and the painted door the mural came from.

The room
The room by day, the propeller on the mural wall beneath a roof opened with glazed panels

The room by day, and the whole idea in one frame: the propeller across the mural, the trussed roof opened above it.

Looking back from the stage, the concrete columns stencilled with the names of legends against the glazed highway wall

Looking back from the stage. The columns are stencilled with the people the place is named for — Burt Munro, Amelia Earhart, Maharaja Jai Singh — dates in red beneath.

The mural wall at night, the propeller lit against layered peaks of blue, red and gold

The wall after dark. Layered peaks in blue, red, ochre and gold, framed in brass, with a full-size aircraft propeller mounted across it.

The dining room at night looking towards the stage, cane booths and marble tables beneath the mural

Towards the stage: cane booths and marble tables on a floor banded in marble and brass. The lamps break a long shed into smaller rooms.

Three oversized lamps on brass stems set down the centre of the room, the propeller behind them

Oversized shades on turned brass stems, set down the spine of the room at table height rather than hung from an already busy roof.

The quote wall in daylight, reading What if I fall, oh but darling what if you fly

The line the whole project turns on, above the banquettes: “What if I fall?” — oh, but darling, what if you fly.

The bar backdrop, a backlit brass grid of bottles around an arched mirror above a marble bar

The bar. A backlit brass grid holds the bottles either side of an arched mirror, over a marble counter with a fluted timber front.

Looking down the room from the bar end, green leather booths along the glazing

From the bar, back down the room. Green leather booths at the glazed wall, cane banquettes in the centre, the mural running opposite.

The stage in its corner, a drum kit against a backlit grid of panels

The stage, 200mm up in the corner. Its backdrop is a light box: a frame for a performance, or for the logo when there is none.

The site
The raw concrete shell looking out to the highway through unglazed openings

What was there: a bare frame open to the highway, the stone chakra already standing outside it.

The empty shell inside, packing material and stacked frames on a bare floor

Inside, before anything: a low flat ceiling, one glazed corner, the whole depth of the plan in shadow.

The building from outside, a carved stone Konark wheel set against the dark glazed facade

The facade, with a carved Konark wheel against the glass — Odisha stated at the door.

The Harley-Davidson dealership next door under the Padma Gateway sign

Next door, the reason the brief said biker café: the Harley-Davidson dealership sharing the campus.