- Type
- Residential
- Location
- Dibrugarh, Assam
- Size
- 2,500 sq ft
- Status
- Built 2024
The plan: four bedrooms, an open kitchen and dining running along one edge, and a passenger lift arriving beside the entrance.
The same plan in isometric, every room labelled and populated — the flat read as a set of occupied rooms rather than a footprint.
Arched openings frame the way in — veined marble underfoot, a grid of botanical prints, and a brass-framed display cabinet.
The living room opened up: a backlit marble wall at one end, the television panel at the other, and clustered marble tables between them.
Two cane chairs and a dark stone console against a backlit marble slab, the shoe cabinet and its cushioned bench running along the wall beside them.
The dining table runs the length of the room to a balcony at the far end, botanical prints ranked along the sage wall.
The puja room behind glazed doors in a timber surround, lit from within — a carved Om medallion on marble, flanked by bronze lotus stems.
The master bedroom — a fluted timber headboard wall, and a bed that floats on concealed light.
Chetan’s bedroom at dusk, slatted timber to one side and the city held in the window.
The guest bedroom: a rust velvet headboard against a geometric tiled wall, woven pendants hung either side.
The same console, built — the slab lit from behind, as designed.
The shoe cabinet in place, louvred doors and floral knobs, before the floor went down.
A bedroom wardrobe going in, keys still hanging in the locks.
The wardrobe’s radiused corner, a brass disc pull on a slim dark inset above the fluted panel.
The kitchen from the breakfast counter — an L of olive cabinetry, the sink set under the window.
Olive cabinetry against a picket-tile backsplash, reeded glass above.
Looking into the guest bedroom, and through to its bathroom beyond.
The master toilet — wall-hung, on a marble-clad half wall with the cistern concealed behind.
The handwash counter: a vessel basin, brass knobs, and a mirror lit from behind.